This map showing the plan for the city of Washington, D.C. was published by John Reid (also referred to as I. Reid) around 1795, during George Washington's presidency. Though President Washington asked French-born architect Pierre Charles L'Enfant to design the new capital, L'Enfant clashed with many important stakeholders, including Thomas Jefferson, and eventually resigned his position. City planners consequently implemented the plan of surveyor Andrew Ellicott, depicted in this map. Ellicott's design very closely mirrored that of his predecessor, but L'Enfant did not receive any credit or payment for his contribution. Renewed interest in beautifying the nation's capital in the early 20th century, however, led to the revitalization of L'Enfant's vision, especially his plan for a "public walk," which became the National Mall.

This preliminary sketch by White House Calligrapher Debra Brown shows a design idea for the 2006 White House Gingerbread House. The "Red and White" Gingerbread House was designed to complement the holiday theme selected by First Lady Laura Welch Bush. Former White House Executive Pastry Chef Roland Mesnier, who retired in 2004, returned at Mrs. Bush's request to oversee the creation of the gingerbread house. Mesnier and his team decorated the gingerbread White House with more than 850 snowflakes and red bows made from royal icing.

This illustration shows President Theodore Roosevelt learning jui-jitsu from Yamashita Yoshiaki in the East Room. The spectators include future president William H. Taft, Roosevelt's sons, Theodore, Kermit, Quentin, and Archibald, and three women: most likely Roosevelt's wife, Edith, and daughters Alice and Ethel. Around 1905, the president invited the celebrated martial artist and instructor to the White House to provide a demonstration. The president himself took part in the demonstration in the East Room. This artistic interpretation was created by John Hutton for the White House Historical Association. Hutton's whimsical illustrations were featured in his book "How to Draw the Presidents," published by the White House Historical Association.

This satirical cartoon was submitted for copyright shortly before the presidential election of 1860. The cartoon depicts the political contest as a baseball game. Abraham Lincoln stands at home base on the right side of the image, advising his opponents, from left to right: former Senator John Bell, Senator Stephen A. Douglas, and John C. Breckinridge, who was then Vice President of the United States under President James Buchanan. The text on the men's bats and belts provides clues about their political platforms. Instead of a baseball bat, Lincoln holds a wooden rail labeled "Equal Rights and Free Territory." A skunk stands near the other candidates, signifying that they have been "skunk'd," or overwhelmingly defeated.

This is the unfolded internal page of a program created for a public White House gardens and grounds tour during the administration of President Jimmy Carter (1977-1981). The program includes a greeting from First Lady Rosalynn Carter, a map of the South Grounds including sites of presidential tree plantings, and information about the history of the gardens and their uses. Before the late-19th century, private citizens wandered the White House South Grounds like a public park, but by the Calvin Coolidge administration (1923-1929), the grounds were closed to the public due to security and privacy concerns. However, just as First Lady Jacqueline Kennedy opened the White House to the public with controlled public tours, in 1972 First Lady Pat Nixon established the tradition of hosting White House garden tours. During the anticipated event, which expanded to being held two weekends a year, lucky members of the public have a chance to view the first family's private gardens. To view the complete program, see 1127095. This program is part of a personal collection belonging to former White House Executive Chef Henry Haller. Haller served five first families and their distinguished guests as executive chef of the White House from 1966-1987.

This architectural sketch of the North Front of the White House was drawn by Samuel Blodget, Jr., a merchant and amateur architect and artist. A fainter inscription, possibly added by a different individual, indicates the sketch was made "in the Presidency of Jefferson and Madison" or circa 1800. Blodget added the carved laurel branches, which were not in place at the time of the sketch.

This architectural sketch of the west end of the White House was drawn in 1810 by Samuel Blodget, Jr., a merchant and amateur architect and artist.

This black and white drawing is of the White House from the southeast, with the South Portico rising over a field where a cow grazes. Two figures lean on a fence near the base of the steps leading from the State floor to the ground.

This image is the back of the pencil sketch by Albert Berghaus depicting Inauguration Day 1877. Berghaus was a Reconstruction-era American illustrator who worked for Frank Leslie's Weekly. Berghaus' original works are extremely rare and few are in private collections. The back side of the sketch contains an inscription explaining the contents of the scene as well as a separate sketch of a police officer matching the front, where a line of police officers stands next to the open carriage. See image 8771 for the front side of the sketch.

This pencil sketch by Albert Berghaus is of Inauguration Day 1877. Outgoing President Ulysses S. Grant and President-Elect Rutherford B. Hayes leave the White House for the ceremony at the Capitol. Berghaus was a Reconstruction-era American illustrator who worked for Frank Leslie's Weekly. Berghaus' original works are extremely rare and few are in private collections. This sketch appears to be preliminary, with details such as the detailed stonework over the entrance to the North Portico only partially completed, as though Berghaus intended to use it for a larger work or finish the sketch later. See image 8772 to see the reverse side sketch and inscription.

This portrait of an unidentified man was a pencil sketch attributed to Benjamin Henry Latrobe. Latrobe is best known as the architect who designed the U.S. Capitol, St. John's Church and the Decatur House in Lafayette Square, the White House East and West Terraces, and the Madison state rooms, and was the chief engineer for the U.S. Navy.

This drawing is by Thomas Nast, a pictorial reporter with the New York Illustrated News who would later go on to work as a political cartoonist for Harper's Weekly. In the drawing, a large group of men congregate in the lobby of the famous Willard Hotel in Washington, D.C. on March 6, 1861, just two days after President Abraham Lincoln's first inauguration. Notable among the men is Horace Greeley, the editor of the New York Tribune, who stands conversing with another man on the right. The German-born Nast is widely considered to be one of the premiere political cartoonists in American history, famous for his early 1870s crusade against William Marcy "Boss" Tweed in New York City.

This pencil drawing by French painter Jean-Honoré Fragonard was completed circa 1778. Fragonard completed the drawing while Benjamin Franklin was serving as a United States envoy in France. Franklin was a renowned author, inventor, and philosopher who was also one of the signers of the Declaration of Independence and the Constitution. The Franklin figure is seated and wearing Roman-style robes and a laurel wreath, with female figures surrounding him. Male figures, in similar classical attire, fight before him. The sketch was made quickly while Franklin was visiting the Louvre. From the drawing, an etching and aquatint were created by Jean-Honoré Fragonard's sister-in-law Marguerite Gérard. This was the first major acquisition by the White House Fine Arts Committee during the John F. Kennedy administration. Bates Littlehales photographed the drawing in March 1962, also during the Kennedy administration.

This plan was drawn by James Hoban circa his 1793-1794 designs for the White House. Hoban, an Irish-born architect, won the competition to design the President's House. The competition was announced by then-Secretary of State Thomas Jefferson and the prize for the winner was $500 or a medal of equal value. This drawing captures an initial plan for the North Front of the White House. Winfield Parks photographed this plan in 1962.

This plan was drawn by James Hoban circa his 1793-1794 designs for the White House. Hoban, an Irish-born architect, won the competition to design the President's House. The competition was announced by then-Secretary of State Thomas Jefferson and the prize for the winner was $500 or a medal of equal value. This drawing captures an initial plan for the North Front of the White House. Winfield Parks photographed this plan in 1962.

This plan was drawn by James Hoban circa his 1793-1794 designs for the White House. Hoban, an Irish-born architect, won the competition to design the President's House. The competition was announced by then-Secretary of State Thomas Jefferson and the prize for the winner was $500 or a medal of equal value. This drawing captures an initial plan for the North Front of the White House. Winfield Parks photographed this plan in 1962.

This drawing by Dahl Taylor is of the Stone Yard at Tiber Creek. Here the stones were graded for quality, and selected for the walls or ornamental carvings. It is one in a series of eleven drawings illustrating the journey of the stones used to build the White House from Aquia Quarry to the building site.

This drawing by Dahl Taylor is of a stonemason carving a piece of exterior molding at the building site of the White House. It is one in a series of eleven drawings illustrating the journey of the stones used to build the White House from Aquia Quarry to the building site.

This drawing by Dahl Taylor is of a stonemason further splitting the stone hewed from a rock formation. The stonemason taps the inserted nine iron rods or “points” with a small mallet to separate the stone. It is one in a series of eleven drawings illustrating the journey of the stones used to build the White House from Aquia Quarry to the building site.

This drawing of the White House groin vaulting was done by artist Dahl Taylor. The groin vaulting and a support system of arches was originally constructed in the old basement of the Executive Mansion by stonemasons under the supervision of Collen Williamson and Jeremiah Kale. The original vaulting survived until the Harry S. Truman renovation from 1948-1952.

This elevation shows Benjamin Henry Latrobe's original plans for the basement entrance on the north side of the White House. Situated beneath the raised platform that supported the main entrance, this basement doorway included Collen Williamson's flanking rustication around the door and keystone. This design feature was widely popular in the 18th Century.

This drawing by Dahl Taylor depicts two stonemasons finishing the details on decorative stones for the White House. One stonemason smooths a stone cornice with his mallet and chisel. The other carves an acanthus leaf onto a window console. It is one in a series of eleven drawings illustrating the journey of the stones used to build the White House from Aquia quarry to the building site.

This drawing by Dahl Taylor is of a stonemason smoothing a section of a stone cornice with his mallet and chisel. It is one in a series of eleven drawings illustrating the journey of the stones used to build the White House from Aquia quarry to the building site.

This drawing by Dahl Taylor depicts a stonemason tracing a guilloche [border], or braid onto a piece of stone using a template.[needs a space] It is one in a series of eleven drawings illustrating the journey of the stones used to build the White House from Aquia Quarry to the building site.

This drawing by Dahl Taylor is of stonemasons smoothing and polishing the stone by rubbing it with a [delete a] another stone or using a flat chisel. It is one in a series of eleven drawings illustrating the journey of the stones used to build the White House from Aquia Quarry to the building site.